

Hale's insistence on learning anatomy is natural too.You could start with a box and carve your way in or you could take a head and put a box around it.
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This is clearly Bridgman's concept which makes perfect sense! Loomis, Hale, Burne Hogarth, Frank Reilly, all of whom were Bridgman's students understood how to sculpt a head placed within a box. In his head lecture at the Art Student's league (available on youtube), he teaches you how to ride along the x y and z axis to get to another point located anywhere in space, on your paper.First with the forms and lighting, then with perspective, i.e placing objects within cubes. Developing a visual vocabulary should be your goal, and Hale teaches you how to do it.This is so because the problems must have already been solved by him ahead of time with intent and rigorous thought, while he was a student. Even a rapid flick drawn by Tintoretto can be a solution to at least 5-15 problems solved all at once. The old masters could draw figures from any angle in any lighting to exact anatomical accuracy. They draw solutions to problems they are solving. The whole theme of the book revolves around artistic license.The neighboring plane has the lightest light right next to it! If you fold a paper and look at it's inner edge what do you see? A diagonal transition from a light corner to a dark at the fold.

